Now through the end of 2015, we are seeking out those heroes who will stand up for the forces of arts education, to give of themselves so that young people can experience the joy of creation. Will you make that difference?? Just $10/month pays for one student to take the In-School Playwriting Program for an entire semester!
Join YPT for Hero Week!
Starting on Monday, November 16, YPT is holding our first-ever Hero Week, celebrating our young heroes and the people who paved the way for their greatness. Every day during Hero Week, we’ll honor heroes big and small with fun social media activities. Post photos of yourself as a superhero, share stories of everyday heroes in your life and much, much more!
Stay tuned for all the details on Hero Week, coming next week to this blog!
Follow the whole campaign on Facebook, Twitter and Instagram@yptdc, using hashtag #YPThero! Thank you for helping DC’s young people become the heroes of their own stories!
Nora Foster and Kaitlyn Murphy are two strong, ambitious young women. The DC-area teens, who studied playwriting in YPT’s In-School Playwriting Programthen saw their plays come to life in the New Play Festival, dream of making a difference in the world through their words and talents.
YPT sat down with Nora and Kaitlyn to learn more about their experience in the program, their hopes for Girls Write Out! and the value of sharing girls’ voices. Read on for the interview and photographs of these fabulous young playwrights!
YPT: What did you think when the In-School Playwriting Program first came into your classroom? KM: I was really excited to see what I could write, and [see it] being acted out.
YPT: How did you react when you found out your play was going to be performed?
KM: There were a lot of students in my class, so when I realized that my play was going to be produced I thought, ‘Oh wow, this is cool!’ NF: I was really surprised, I was really happy…when YPT picked mine, I was just ecstatic. Having people not only compliment your work, but criticize it so you can grow and learn more from professionals [was really great].
YPT: Tell us about your play! KM: My play is called Ayo’s Audience. [It’s] about a girl trying to follow her dream to become a spoken word artist. It’s very much like my story, so it was pretty easy to write it. [Ayo] lives with her father, and…is struggling to make him understand that she has a passion for this art. In the end, her father and her overcome obstacles, and their relationship becomes stronger. NF: My play is Stuck in a Fairy Tale, andthis girl basically gets thrown into different fairy tales. Like Snow White, Rapunzel…it’s a twist on these classics.
YPT: Where did that come from in your mind? NF: I have no idea! We were doing some exercise with YPT, and…all of a sudden it just popped into my head! I was just like, ‘Oh yeah, I’ll write about this!’ Turned out pretty good…
YPT: What is your play’s moral/what do you want audience members to walk away with? KM: My wish [is] for everybody to relate to the characters…my moral is, ‘Keep striving for your dream, no matter what. You have to push through the obstacles and keep steady.’ NF: I just hope that when people walk away from seeing my play, that they remember it…you have to do what’s right for you, and no matter what people say you have to know what’s good for you and follow through. Stand up for yourself. KM: I want more people to involve themselves in the arts more…that’d be a really cool thing, to see other girls involve themselves in things that [are] a release for them.
YPT: What happens when a girl realizes the power of her voice? KM: I’m still trying to find the power of my voice! (Laughs) The power of your voice comes when you start affecting people by what you say, and you realize that your voice has a meaning, and that it can make an impact on certain situations or people. NF: Once you find your voice, it makes a really big impact on others. As long as you use it for good, and you tell people…whatever you’re passionate about, it can make a big impact.
YPT: Do you have any advice for young playwrights in YPT’s program right now? KM: Don’t worry about nobody else. Have your stuff set, do what you need to do—no matter what, your play is amazing, because you wrote it. The process of writing a play is the best thing ever: you just wrote a play! That’s great! I bet you haven’t done that before! …Appreciate it for what it is. NF: Don’t doubt yourself…just write what you think is good, don’t compare yourself, because everyone is different in their own way, everyone is unique. Just believe in yourself and keep doing what you think is creative.
Thank you to Nora and Kaitlyn for speaking with YPT! See their creativity on display at Girls Write Out!, Monday, October 19 at 7pm at the Forum in Sidney Harman Hall! FREE! Part of the Women’s Voices Theater Festival.
In honor of our 20th anniversary year, YPT is launching our performance season with a very special showcase: The 20th Anniversary Festival! This celebration of young voices and DC theater will bring together ten dynamic local theater companies to remount some of the best-loved plays from throughout our twenty-year history.
On Friday, December 12, 2014, at 7pm at Theater J, YPT will join forces with nine other DC-area theater companies to bring twenty beloved student-written stories back to life onstage. From Tornado Boy to Society Unjust, these plays represent some of the funniest, most inventive and most poignant works our young playwrights have created over the years. We produced these plays when they were first written, then published them all in our first commercially available book, Write to Dream, in 2012. Now, they will be reborn in the unique styles of ten terrific Greater Washington theater companies!
We are so excited to have these talented artists put their own spin on these classic YPT plays. The 20th Anniversary Festival is going to be the event of the season, and we hope you join us to celebrate twenty years of imagination, inspiration and young talent!
Read on for descriptions of each of the participating theaters. Another post featuring the #20Fest plays and playwrights is coming soon, so stay tuned to our blog for more information!
dog & pony dc is an ensemble of artists who devise innovative performances that incorporate new ways for audience to experiences theatre.
Whether it’s an ultra-violent live-action version of the Punch and Judy puppet show, or an imagined civic ceremony that ignites debate about a time capsule’s contents, dog & pony dc shows playfully explore the elastic relationship between artist and audience. dog & pony dc likes to think that going to their shows is like going to a concert…a rock concert. Everyone’s energized and engaged in the moment, and sometimes the audience ends up on stage.
Willadean Wills collects songs and she has been doing it for longer than you can imagine. But she doesn’t collect them to keep them for herself, she shares them with anybody that wants to learn. In Sing Me a Song, you are invited into a world encompassing the songs of several generations and cultures. Willadean shares her love of songs and singing with the audience and encourages them to do the same, engaging them through conversation, interview, and music.
Faction of Fools is a professional, not-for-profit Commedia dell’Arte troupe based in Washington, DC, and active around the world. Winner of the 2012 Helen Hayes Award for Outstanding Emerging Theatre Company, Faction of Fools preserves and promotes this Renaissance theatre style by both respecting its heritage and exploring its future. Through performances, actor training, international initiatives, and educational outreach, Faction of Fools embodies a Commedia dell’Arte that is theatre at its best: physical discipline, spontaneous imagination, collaborative energy, and joyous wonder.
In this comic tour de force, a single actor brings to life an entire town of squabbling parents, dim-witted servants, and young lovers whose wedding plans are ruined until love prevails and comedy triumphs. Premiered in Italy and performed in London and New York City, THE GREAT ONE-MAN COMMEDIA EPIC receives its first extended run in DC at CHAW this holiday season. Fun for the whole family!
Forum Theatre produces adventurous, relevant, and challenging plays from a diversity of voices that inspire discussion and build community — and that are accessible, affordable, and entertaining.
Since Forum Theatre’s inception, it has aimed to be both the home for stories that provoke discussion and the place to host that discussion. Forum wants its plays to be a conversation with the audience. Forum tells stories about who we are as a local, national, and global community.
Set to the music of the late 80’s rap scene, How We Got On is a coming-of-age story about three suburban kids, Hank, Julian, and Luann and how they navigate tumultuous family relationships, cultural isolation, and the search for authenticity. A sultry DJ re-mixes their lives as they use music to discover and express themselves in places words fail.
How We Got On premiered at Actors Theatre of Louisville in the 2012 Humana Festival. Idris Goodwin, playwright, essayist, and spoken word artist, uses his cross-discipline talent to tell this contemporary ode to the roots of rap.
How We Got On features YPT Teaching Artist and Company member Manu Kumasi! YPT Fundraising Fellow Natalie Piegari is also interning as the assistant to Forum’s Artistic Director, Michael Dove.
A girl shoves a notebook into your hands. Moments later, she falls from a Metro platform into the path of an oncoming train. Was it a tragic accident? Suicide? Or the latest in a series of sinister events that have their roots deep in the heart of the city? Whatever the answer, it’s the first step in a journey to discover who this girl was and what momentous secret she uncovered that led her into the path of the creature known as the King of Worms.
One part murder mystery, one part ghost story, one part intimate drama: WALKING THE CITY OF SILENCE AND STONE is a site-specific audioplay that uses the entire city as its set piece. To be released in nine parts throughout the season, this world premiere will lead the audience from one end of Washington, D.C. to the other, peeling back the familiar skin of the District to show the strange world that lies just underneath.
Episode 1 just released – CLICK HERE to listen! Recommended listening location: the DC Metro.
GALA Hispanic Theatre is the National Center for Latino Performing Arts in the nation’s capital, fostering an understanding and appreciation of Latino arts and culture by a large and diverse public.
GALA preserves and promotes Latino arts and culture and shares this rich Hispanic heritage through its theatre productions and other diverse performing arts programs. By developing, producing and presenting works that explore the breadth of Latino performing arts with its company of bilingual artists, GALA provides opportunities for the Latino artist, educates youth and engages the entire community in an exchange of ideas and perspectives.
No Rules’ mission is to present the broadest spectrum of high quality, accessible, truthful theatre that will open the minds and expand the expectations of a diverse audience. Other than this, there are no rules.
In Love and Warcraft
By Madhuri Shekar
Directed by Joshua Morgan
Winner – 2014 Alliance/Kendeda National Graduate Playwriting Competition
January 7 – 25, 2015 at Signature Theatre
In this Washington, D.C. premiere, the worlds of online gaming and in person relationships collide in this up-to-the-minute comedy about straddling the real world and the virtual one. Evie Malone is a college student, a World of Warcraft master, and a virgin. She also makes a little extra cash by writing love letters for people who can’t quite manage their own real relationships. No amount of digital gaming expertise or even her virtual boyfriend can help her out when she finds herself with a handsome, non-virtual, boyfriend, who is ready to rock her worlds.
Unlimited: the Music and Lyrics of Stephen Schwartz
Conceived by Matt Cowart and Joshua Morgan
Arrangements and Orchestrations by Zak Sandler
Directed by Sally Boyett
Musically Directed by Brian Lilly
February 20 – 28, 2015 at the Catholic University of America
This production is co-produced with The Catholic University of America.
From Godspell to Pippin to Wicked, award-winning lyricist and composer Stephen Schwartz has touched the hearts of audiences around the world. Come explore Unlimited, a journey of coming of age and trying to find one’s place in the world, as told through the songs of this celebrated composer.
Pinky Swear’s Mission is to produce modern plays with well-crafted, believable, engaging women’s roles where people talk to each other and things happen. Their productions are a little funny, a little dark and a lot entertaining.
Their goals are to:
Build a company in which local theatre artists can make a living in our community.
Raise the profile of women’s voices in theatre by hiring women artists and technicians whenever possible.
Enable artists to experiment with new avenues of expression.
2015 holds two brand-new plays from local playwrights. In July, Pinky Swear will be producing Stephen Spotswood‘s* new play, The Last Burlesque, wherein we meet the people behind the smoke and mirrors.
October brings a new work by Donna Rachelle, The Brewery,** for the Women’s Voices Theater Festival. Donna represents Pinky Swear’s first foray into an “Adopt a Playwright” program, in which they sponsor a promising playwright from concept through production.
Watch for other surprises in spring!
* Pinky Swear company member
**title subject to change
Through uncommon uses of environment and intimate passionate performances, Rorschach Theatre seeks to lure its audiences beyond the limits of ordinary theatrical experience so that they may discover new elements of their own humanity.
Rorschach Theatre is a company that has received significant acclaim for its fierce performance style, its bold use of theatrical space and its dedication to challenging works that are at once relevant and timeless. The company’s work has focused on helping to reveal the contemporary relevance of fable, finding magic in rough spaces, connecting timeless works to a contemporary audience.
The Washington Rogues are a daring new performing arts collective dedicated to showcasing new and exciting works with an emphasis on political and social commentary. With a strong Do-It-Yourself aesthetic, The Rogues are able to create first rate theater on a minimal budget. We pride ourselves on offering opportunities to developing artists as they begin and develop their careers in the nation’s capital.
Click here to read an article by Rogues actor and Washington Post columnist Rachel Manteuffel, about her work in the Rogues’ recent production of The Campsite Rule!
Founded in 2012, Wild Women Theatre (WWT) explores multiple dimensions of Black womanhood through storytelling, movement, poetry, and song. Wild Women Theatre was founded by some of the founding members of the performance ensemble formerly known as The Saartjie Project which presented original theatre performance from 2008 – 2012: Jade Andwele, margaux delotte-bennett, Shonda Goward, Farah Lawal Harris and Clarissa McKithen. The
company currently includes margaux, Farah and Clarissa, along with a few dedicated area performers and technical crew members.
Founding company member Farah Lawal Harris is a long-time YPT Teaching Artist and company member, who now works as our full-time Program Associate!
YPT couldn’t be more thrilled to bring together this all-star team of theater companies that reflects the rich and diverse theater community in the nation’s capital. We are so honored that they are all stepping up in support of young artists in Washington, DC. We can’t wait to see how they bring our students’ voices to life, and we hope that you join us for this very special, one-night-only event!