YPT’s 2015-2016 performance season begins with Girls Write Out!, a FREE, one-night-only staged reading of four plays and monologues written by young female playwrights. Professional actors bring to life tales of magic bracelets, superhero sisters, evil queens and more!
Featured plays include:
With monologues by:
Each of these playwrights wrote her piece in YPT’s In-School Playwriting Program. Ranging in age from 12-22 years old, they are among theyoungest playwrights featured at the Women’s Voices Theater Festival!
After the performance, YPT Founding Artistic Director Karen Zacarías will lead an engaging talkback with the playwrights. Karen is a resident playwright at Arena Stage, and her play, Destiny of Desire, is Arena’s contribution to the Festival!
YPT will also be making a special announcement at Girls Write Out!, so join us and hear the good news!
Click here to RSVP to Girls Write Out!, and reserve your (free) tickets in advance here.
For more on the featured playwrights and plays, read on!
KRYSTAL: My daughters who have betrayed me … Come out, come out! I said come out now. Don’t be afraid Laura, Lauren, Lauriann, Lauribell and Laurie. You should love me, I’m your mother. So come out NOW.
LAURA: We’ve come out to battle you!
KRYSTAL: Really? Battle your powerful mommy?
LAURA: Come on girls. It’s time!
Nevaeh Edwards’ Diamond of Destiny pits five sisters from the planets Lexaton and Vertex against their evil mother in a fight for the fate of Earth. Full of action, adventure and fun, this is one serious family feud!
RAPUNZEL: (Astonished) Who is it?! I’m here! Don’t leave! Stay! Just-just… wait a moment!
ALEX: Okay… I’ll wait.
RAPUNZEL: Um, this might sound odd, but I’d like it if you would just climb up my… rope. Yes, rope. It might look weird, but no need to worry, just climb as best you can.
In Nora Foster’s Stuck in a Fairy Tale,teenage author Alex falls asleep and wakes up in a strange and fantastical land! Before she goes, she teaches Cinderella and company a few things about being a 21st century teenager.
ELOISE: …You see this bracelet, wait, donde esta?! (Sees it on the floor.) Oh what a relief! Jakey estas bien? (Cuddles with bracelet. Pause.) Oh you think…? No No No No No Jake turn human K?
(ELOISE throws bracelet to a side. Poof!)
JAKE: (Offstage) Oh Elly!
(ELOISE and JAKE hug.)
JAKE: Oh Elly, you’re my best friend. I’m so happy I’m with you.
ELOISE: Oh. Um. This is my bracelet…boyfriend. Bracelet-boyfriend. Bracelet-boyfriend. OK let’s say he’s a magical bracelet who just happens to be my boyfriend.
Carmela Pascale’s The Magic Bracelet tells the tale of Eloise, a young bilingual girl picked on by a group of bullies. With the help of her magic bracelet, she turns the tides on the bullies and teaches them a lesson they’ll never forget!
In honor of our 20th anniversary year, YPT is launching our performance season with a very special showcase: The 20th Anniversary Festival! This celebration of young voices and DC theater will bring together ten dynamic local theater companies to remount some of the best-loved plays from throughout our twenty-year history.
On Friday, December 12, 2014, at 7pm at Theater J, YPT will join forces with nine other DC-area theater companies to bring twenty beloved student-written stories back to life onstage. From Tornado Boy to Society Unjust, these plays represent some of the funniest, most inventive and most poignant works our young playwrights have created over the years. We produced these plays when they were first written, then published them all in our first commercially available book, Write to Dream, in 2012. Now, they will be reborn in the unique styles of ten terrific Greater Washington theater companies!
We are so excited to have these talented artists put their own spin on these classic YPT plays. The 20th Anniversary Festival is going to be the event of the season, and we hope you join us to celebrate twenty years of imagination, inspiration and young talent!
Read on for descriptions of each of the participating theaters. Another post featuring the #20Fest plays and playwrights is coming soon, so stay tuned to our blog for more information!
dog & pony dc is an ensemble of artists who devise innovative performances that incorporate new ways for audience to experiences theatre.
Whether it’s an ultra-violent live-action version of the Punch and Judy puppet show, or an imagined civic ceremony that ignites debate about a time capsule’s contents, dog & pony dc shows playfully explore the elastic relationship between artist and audience. dog & pony dc likes to think that going to their shows is like going to a concert…a rock concert. Everyone’s energized and engaged in the moment, and sometimes the audience ends up on stage.
Willadean Wills collects songs and she has been doing it for longer than you can imagine. But she doesn’t collect them to keep them for herself, she shares them with anybody that wants to learn. In Sing Me a Song, you are invited into a world encompassing the songs of several generations and cultures. Willadean shares her love of songs and singing with the audience and encourages them to do the same, engaging them through conversation, interview, and music.
Faction of Fools is a professional, not-for-profit Commedia dell’Arte troupe based in Washington, DC, and active around the world. Winner of the 2012 Helen Hayes Award for Outstanding Emerging Theatre Company, Faction of Fools preserves and promotes this Renaissance theatre style by both respecting its heritage and exploring its future. Through performances, actor training, international initiatives, and educational outreach, Faction of Fools embodies a Commedia dell’Arte that is theatre at its best: physical discipline, spontaneous imagination, collaborative energy, and joyous wonder.
In this comic tour de force, a single actor brings to life an entire town of squabbling parents, dim-witted servants, and young lovers whose wedding plans are ruined until love prevails and comedy triumphs. Premiered in Italy and performed in London and New York City, THE GREAT ONE-MAN COMMEDIA EPIC receives its first extended run in DC at CHAW this holiday season. Fun for the whole family!
Forum Theatre produces adventurous, relevant, and challenging plays from a diversity of voices that inspire discussion and build community — and that are accessible, affordable, and entertaining.
Since Forum Theatre’s inception, it has aimed to be both the home for stories that provoke discussion and the place to host that discussion. Forum wants its plays to be a conversation with the audience. Forum tells stories about who we are as a local, national, and global community.
Set to the music of the late 80’s rap scene, How We Got On is a coming-of-age story about three suburban kids, Hank, Julian, and Luann and how they navigate tumultuous family relationships, cultural isolation, and the search for authenticity. A sultry DJ re-mixes their lives as they use music to discover and express themselves in places words fail.
How We Got On premiered at Actors Theatre of Louisville in the 2012 Humana Festival. Idris Goodwin, playwright, essayist, and spoken word artist, uses his cross-discipline talent to tell this contemporary ode to the roots of rap.
How We Got On features YPT Teaching Artist and Company member Manu Kumasi! YPT Fundraising Fellow Natalie Piegari is also interning as the assistant to Forum’s Artistic Director, Michael Dove.
A girl shoves a notebook into your hands. Moments later, she falls from a Metro platform into the path of an oncoming train. Was it a tragic accident? Suicide? Or the latest in a series of sinister events that have their roots deep in the heart of the city? Whatever the answer, it’s the first step in a journey to discover who this girl was and what momentous secret she uncovered that led her into the path of the creature known as the King of Worms.
One part murder mystery, one part ghost story, one part intimate drama: WALKING THE CITY OF SILENCE AND STONE is a site-specific audioplay that uses the entire city as its set piece. To be released in nine parts throughout the season, this world premiere will lead the audience from one end of Washington, D.C. to the other, peeling back the familiar skin of the District to show the strange world that lies just underneath.
Episode 1 just released – CLICK HERE to listen! Recommended listening location: the DC Metro.
GALA Hispanic Theatre is the National Center for Latino Performing Arts in the nation’s capital, fostering an understanding and appreciation of Latino arts and culture by a large and diverse public.
GALA preserves and promotes Latino arts and culture and shares this rich Hispanic heritage through its theatre productions and other diverse performing arts programs. By developing, producing and presenting works that explore the breadth of Latino performing arts with its company of bilingual artists, GALA provides opportunities for the Latino artist, educates youth and engages the entire community in an exchange of ideas and perspectives.
No Rules’ mission is to present the broadest spectrum of high quality, accessible, truthful theatre that will open the minds and expand the expectations of a diverse audience. Other than this, there are no rules.
In Love and Warcraft
By Madhuri Shekar
Directed by Joshua Morgan
Winner – 2014 Alliance/Kendeda National Graduate Playwriting Competition
January 7 – 25, 2015 at Signature Theatre
In this Washington, D.C. premiere, the worlds of online gaming and in person relationships collide in this up-to-the-minute comedy about straddling the real world and the virtual one. Evie Malone is a college student, a World of Warcraft master, and a virgin. She also makes a little extra cash by writing love letters for people who can’t quite manage their own real relationships. No amount of digital gaming expertise or even her virtual boyfriend can help her out when she finds herself with a handsome, non-virtual, boyfriend, who is ready to rock her worlds.
Unlimited: the Music and Lyrics of Stephen Schwartz
Conceived by Matt Cowart and Joshua Morgan
Arrangements and Orchestrations by Zak Sandler
Directed by Sally Boyett
Musically Directed by Brian Lilly
February 20 – 28, 2015 at the Catholic University of America
This production is co-produced with The Catholic University of America.
From Godspell to Pippin to Wicked, award-winning lyricist and composer Stephen Schwartz has touched the hearts of audiences around the world. Come explore Unlimited, a journey of coming of age and trying to find one’s place in the world, as told through the songs of this celebrated composer.
Pinky Swear’s Mission is to produce modern plays with well-crafted, believable, engaging women’s roles where people talk to each other and things happen. Their productions are a little funny, a little dark and a lot entertaining.
Their goals are to:
Build a company in which local theatre artists can make a living in our community.
Raise the profile of women’s voices in theatre by hiring women artists and technicians whenever possible.
Enable artists to experiment with new avenues of expression.
2015 holds two brand-new plays from local playwrights. In July, Pinky Swear will be producing Stephen Spotswood‘s* new play, The Last Burlesque, wherein we meet the people behind the smoke and mirrors.
October brings a new work by Donna Rachelle, The Brewery,** for the Women’s Voices Theater Festival. Donna represents Pinky Swear’s first foray into an “Adopt a Playwright” program, in which they sponsor a promising playwright from concept through production.
Watch for other surprises in spring!
* Pinky Swear company member
**title subject to change
Through uncommon uses of environment and intimate passionate performances, Rorschach Theatre seeks to lure its audiences beyond the limits of ordinary theatrical experience so that they may discover new elements of their own humanity.
Rorschach Theatre is a company that has received significant acclaim for its fierce performance style, its bold use of theatrical space and its dedication to challenging works that are at once relevant and timeless. The company’s work has focused on helping to reveal the contemporary relevance of fable, finding magic in rough spaces, connecting timeless works to a contemporary audience.
The Washington Rogues are a daring new performing arts collective dedicated to showcasing new and exciting works with an emphasis on political and social commentary. With a strong Do-It-Yourself aesthetic, The Rogues are able to create first rate theater on a minimal budget. We pride ourselves on offering opportunities to developing artists as they begin and develop their careers in the nation’s capital.
Click here to read an article by Rogues actor and Washington Post columnist Rachel Manteuffel, about her work in the Rogues’ recent production of The Campsite Rule!
Founded in 2012, Wild Women Theatre (WWT) explores multiple dimensions of Black womanhood through storytelling, movement, poetry, and song. Wild Women Theatre was founded by some of the founding members of the performance ensemble formerly known as The Saartjie Project which presented original theatre performance from 2008 – 2012: Jade Andwele, margaux delotte-bennett, Shonda Goward, Farah Lawal Harris and Clarissa McKithen. The
company currently includes margaux, Farah and Clarissa, along with a few dedicated area performers and technical crew members.
Founding company member Farah Lawal Harris is a long-time YPT Teaching Artist and company member, who now works as our full-time Program Associate!
YPT couldn’t be more thrilled to bring together this all-star team of theater companies that reflects the rich and diverse theater community in the nation’s capital. We are so honored that they are all stepping up in support of young artists in Washington, DC. We can’t wait to see how they bring our students’ voices to life, and we hope that you join us for this very special, one-night-only event!
This year Young Playwrights’ Theater is working in partnership with Fannie Mae and their Help the Homeless program to create an original play about the issue of homelessness in the Washington metro area. In the coming weeks, we will be implementing workshops at transitional housing facilities and several public schools to discover the many perspectives, feelings and beliefs surrounding this issue that will find their way into our play. Last night, we conducted our very first workshop at Community of Hope, and we were absolutely blown away by the residents there. We had a group of seven women and their children. The first workshop requires participants to play a role in a made-up drama concerning citizens at a town hall meeting who are deciding whether or not to allow a transitional housing facility to move into their neighborhood. Each person is given a character to play in the fictional community, many of whom disagree with the initiative. Since this was our first workshop, we were unsure if our partners would be willing to voice opposition to a transitional housing facility, but the participants played their roles with vigor and honesty. We had quite a debate for our guided drama, and in the end, the community voted to have the “Good Neighbor Transitional Housing Facility” built in their neighborhood. After the play concluded, we reflected on it and asked the participants to speak openly about the varying opinions of the characters they just enacted. They spoke candidly about the way homeless people are stereotyped and the injustice of writing off the problem as drug abuse, mental illness or apathy. Needless to say we were honored to work with these remarkable women and look forward to the rest of our workshops related to this project.
Please start making plans right now to come see this play at our Express Tour Showcase November 3 through November 6. If the experience of last night is any indication of the depth and sincerity we will meet over the next month of conducting these workshops, then you do not want to miss this showcase!
“A single idea from the human mind can build cities. An idea can transform the rules and rewrite all existence.”
– Cobb (from Inception)
This past weekend I took a break from writing grant proposals for YPT and saw Inception, the imaginative new Christopher Nolan film that’s bringing in the box office big bucks this month. I left the film inspired (I loved it) and, believe it or not, thinking of YPT.
In Inception (I promise I’m not giving anything away), a crack team of dream “extractors”, lucid dreamers who infiltrate people’s minds and coerce them into revealing their deepest secrets, work together to tackle the risky, untested challenge of “inception” – implanting an idea in the subconscious mind of a dreamer. The film is smart, visually stunning, and contains a mind-blowing fight scene that takes place in a hallway (if you’ve seen it, you know what I’m talking about).
So why on earth would this sci-fi thriller make me think of YPT?
Inception is a story about a perfect team – each team member contributes something unique and necessary to the mission of the group. They give it all they’ve got. They trust one another.
As YPT expands this year to serve more students than ever before (1,000!), I cannot help reflecting on how lucky I am to work with such a perfect team.
Each YPT staff member, board member, teaching artist, actor, director and designer plays a specific and invaluable role in achieving our daily mission to use playwriting to teach students the power and value of their own creative ideas – ideas that can move hearts and minds, ideas that may, indeed, change the world.
In fact, the imaginative idea behind the film Inception is the kind of innovation that I find so inspiring in the work of our students. Plays written by YPT students tackle challenging issues including gender roles, self-worth, power dynamics, immigration, drugs, and gangs; and explore such universal themes as family, relationships, heritage, and love. And YPT students take on these big ideas in such inventive and unexpected ways. Just this past year, YPT produced a dark, sci-fi play that imagines a future world in which women have been deemed obsolete and eliminated, a brilliant mafia play that challenges the very concept of theatrical form, and a fantastical comedy about an arrogant knight and a dragon that wants nothing more than to be left alone.
In the next few weeks, YPT will announce our 2010-2011 Season, and (I promise) you will not be disappointed by what our students have in store for you.