Introducing our 20th Anniversary Festival partners!

20Fest logo FINAL

Meet Team #20Fest!

In honor of our 20th anniversary year, YPT is launching our performance season with a very special showcase: The 20th Anniversary Festival! This celebration of young voices and DC theater will bring together ten dynamic local theater companies to remount some of the best-loved plays from throughout our twenty-year history.

On Friday, December 12, 2014, at 7pm at Theater J, YPT will join forces with nine other DC-area theater companies to bring twenty beloved student-written stories back to life onstage. From Tornado Boy to Society Unjust, these plays represent some of the funniest, most inventive and most poignant works our young playwrights have created over the years. We produced these plays when they were first written, then published them all in our first commercially available book, Write to Dream, in 2012. Now, they will be reborn in the unique styles of ten terrific Greater Washington theater companies!

We are so excited to have these talented artists put their own spin on these classic YPT plays. The 20th Anniversary Festival is going to be the event of the season, and we hope you join us to celebrate twenty years of imagination, inspiration and young talent!

Read on for descriptions of each of the participating theaters. Another post featuring the #20Fest plays and playwrights is coming soon, so stay tuned to our blog for more information!


dog & pony dcdog&pony  

dog & pony dc is an ensemble of artists who devise innovative performances that incorporate new ways for audience to experiences theatre.

Whether it’s an ultra-violent live-action version of the Punch and Judy puppet show, or an imagined civic ceremony that ignites debate about a time capsule’s contents, dog & pony dc shows playfully explore the elastic relationship between artist and audience. dog & pony dc likes to think that going to their shows is like going to a concert…a rock concert. Everyone’s energized and engaged in the moment, and sometimes the audience ends up on stage.

Interested in getting involved with dog & pony dc? They’re holding FREE audience integration workshops now through November 22!


Upcoming production:
Sing Me a Song
November 08, 2014, at 7:30pm at Capitol Hill Arts Workshop
FREESing me a Song

Willadean Wills collects songs and she has been doing it for longer than you can imagine. But she doesn’t collect them to keep them for herself, she shares them with anybody that wants to learn. In Sing Me a Song, you are invited into a world encompassing the songs of several generations and cultures. Willadean shares her love of songs and singing with the audience and encourages them to do the same, engaging them through conversation, interview, and music.

Sing Me a Song is dog & pony dc’s entry to the 2015 Women’s Voices Theatre Festival, of which YPT is also a part!


FoF logoFaction of Fools Theatre Company   

Faction of Fools is a professional, not-for-profit Commedia dell’Arte troupe based in Washington, DC, and active around the world. Winner of the 2012 Helen Hayes Award for Outstanding Emerging Theatre Company, Faction of Fools preserves and promotes this Renaissance theatre style by both respecting its heritage and exploring its future.  Through performances, actor training, international initiatives, and educational outreach, Faction of Fools embodies a Commedia dell’Arte that is theatre at its best: physical discipline, spontaneous imagination, collaborative energy, and joyous wonder.

Upcoming production:

The Great One-Man Commedia Epic
Nov 28 – Dec 20, 2014, at Capitol Hill Arts WorkshopCommedia flier
Tickets: $10-20
Created and performed by Matthew R. Wilson

One Actor. Twelve Characters. 1000 Catastrophes.

In this comic tour de force, a single actor brings to life an entire town of squabbling parents, dim-witted servants, and young lovers whose wedding plans are ruined until love prevails and comedy triumphs. Premiered in Italy and performed in London and New York City, THE GREAT ONE-MAN COMMEDIA EPIC receives its first extended run in DC at CHAW this holiday season. Fun for the whole family!

Watch the trailer and buy tickets here!


Forum logo

Forum Theatre   

Forum Theatre produces adventurous, relevant, and challenging plays from a diversity of voices that inspire discussion and build community — and that are accessible, affordable, and entertaining.

Since Forum Theatre’s inception, it has aimed to be both the home for stories that provoke discussion and the place to host that discussion. Forum wants its plays to be a conversation with the audience. Forum tells stories about who we are as a local, national, and global community.

Upcoming productions:

How We Got On
By Idris Goodwin
Directed by Paige Hernandez
Oct 30 – Nov 23, 2014, at The Silver Spring Black Box Theatre
Tickets: $35How We Got On

Set to the music of the late 80’s rap scene, How We Got On is a coming-of-age story about three suburban kids, Hank, Julian, and Luann and how they navigate tumultuous family relationships, cultural isolation, and the search for authenticity. A sultry DJ re-mixes their lives as they use music to discover and express themselves in places words fail.

How We Got On premiered at Actors Theatre of Louisville in the 2012 Humana Festival. Idris Goodwin, playwright, essayist, and spoken word artist, uses his cross-discipline talent to tell this contemporary ode to the roots of rap.

How We Got On features YPT Teaching Artist and Company member Manu Kumasi! YPT Fundraising Fellow Natalie Piegari is also interning as the assistant to Forum’s Artistic Director, Michael Dove.

Click here for tickets!

Walking logoWalking the City of Silence and Stone
By Stephen Spotswood
Directed by Jess Jung
November 2014 – Summer 2015

WORLD PREMIERE CITY-SPANNING AUDIO DRAMA

A girl shoves a notebook into your hands. Moments later, she falls from a Metro platform into the path of an oncoming train. Was it a tragic accident? Suicide? Or the latest in a series of sinister events that have their roots deep in the heart of the city? Whatever the answer, it’s the first step in a journey to discover who this girl was and what momentous secret she uncovered that led her into the path of the creature known as the King of Worms.

One part murder mystery, one part ghost story, one part intimate drama: WALKING THE CITY OF SILENCE AND STONE is a site-specific audioplay that uses the entire city as its set piece. To be released in nine parts throughout the season, this world premiere will lead the audience from one end of Washington, D.C. to the other, peeling back the familiar skin of the District to show the strange world that lies just underneath.

Episode 1 just released – CLICK HERE to listen! Recommended listening location: the DC Metro.


GALA logo  GALA Hispanic Theatre  

GALA Hispanic Theatre is the National Center for Latino Performing Arts in the nation’s capital, fostering an understanding and appreciation of Latino arts and culture by a large and diverse public.

GALA preserves and promotes Latino arts and culture and shares this rich Hispanic heritage through its theatre productions and other diverse performing arts programs. By developing, producing and presenting works that explore the breadth of Latino performing arts with its company of bilingual artists, GALA provides opportunities for the Latino artist, educates youth and engages the entire community in an exchange of ideas and perspectives.

Upcoming productions:
10th International Flamenco Festival
November 7 – 16, 2014, at GALA Hispanic Theatre

FLAMENCO(S) DE PLOMO Y COBRE
Mariana Collado & Carlos Chamorro
Nov 13-15, 8 pm  /  Nov 16, 2 pm
Tickets: $20-35

U.S. premiere, direct from Madrid! Mariana Collado and Carlos Chamorro explore the power, intimacy and immensity that are flamenco.

Click here for tickets!


FLAMENCO EN FAMILIA
Flamenco en Familia

November 15, 11 am and 1:30 pm
FREE

Free interactive demonstrations with castañets, fans, and zapateo for children and the entire family led by members of the Spanish Dance Society and other local flamenco artists.


NRlogoBlackTag-2

No Rules Theatre Company 

No Rules’ mission is to present the broadest spectrum of high quality, accessible, truthful theatre that will open the minds and expand the expectations of a diverse audience. Other than this, there are no rules.

No Rules Theatre Company found its origins at the University of North Carolina School of the Arts. In just a few short seasons NRTC has grown rapidly, thanks in no small part to its reputation for consistently strong casting, experiential designs and dynamic programming. In 2011 No Rules received the Helen Hayes Award for Best Emerging Theatre Company in recognition of the company’s talent and unique contribution to the city’s artistic landscape. Now moving into its fourth season, the company is thrilled to be in residence at the Tony Award© winning Signature Theatre Company in Arlington, VA as well as the state-of-the-art Hanesbrands Theatre in the heart of downtown Winston-Salem, NC.

 Upcoming productions:

In Love and WarcraftIn Love and Warcraft
By Madhuri Shekar
Directed by Joshua Morgan
Winner – 2014 Alliance/Kendeda National Graduate Playwriting Competition
January 7 – 25, 2015 at Signature Theatre
Tickets: $15

In this Washington, D.C. premiere, the worlds of online gaming and in person relationships collide in this up-to-the-minute comedy about straddling the real world and the virtual one. Evie Malone is a college student, a World of Warcraft master, and a virgin. She also makes a little extra cash by writing love letters for people who can’t quite manage their own real relationships. No amount of digital gaming expertise or even her virtual boyfriend can help her out when she finds herself with a handsome, non-virtual, boyfriend, who is ready to rock her worlds.

Click here for tickets!

UnlimitedUnlimited: the Music and Lyrics of Stephen Schwartz
Conceived by Matt Cowart and Joshua Morgan
Arrangements and Orchestrations by Zak Sandler
Directed by Sally Boyett
Musically Directed by Brian Lilly
February 20 – 28, 2015 at the Catholic University of America
This production is co-produced with The Catholic University of America.

From Godspell to Pippin to Wicked, award-winning lyricist and composer Stephen Schwartz has touched the hearts of audiences around the world. Come explore Unlimited, a journey of coming of age and trying to find one’s place in the world, as told through the songs of this celebrated composer.


Pinky Swear logoPinky Swear Productions  

Pinky Swear’s Mission is to produce modern plays with well-crafted, believable, engaging women’s roles where people talk to each other and things happen. Their productions are a little funny, a little dark and a lot entertaining.

Their goals are to:

  • Build a company in which local theatre artists can make a living in our community.
  • Raise the profile of women’s voices in theatre by hiring women artists and technicians whenever possible.
  • Enable artists to experiment with new avenues of expression.

Upcoming productions:

Tiny House Plays pic
From Tiny House Plays

2015 holds two brand-new plays from local playwrights. In July, Pinky Swear will be producing Stephen Spotswood‘s* new play, The Last Burlesque, wherein we meet the people behind the smoke and mirrors.

October brings a new work by Donna Rachelle, The Brewery,** for the Women’s Voices Theater Festival. Donna represents Pinky Swear’s first foray into an “Adopt a Playwright” program, in which they sponsor a promising playwright from concept through production.

Watch for other surprises in spring!

* Pinky Swear company member
**title subject to change


RT-logo-colorRorschach Theatre 

Through uncommon uses of environment and intimate passionate performances, Rorschach Theatre seeks to lure its audiences beyond the limits of ordinary theatrical experience so that they may discover new elements of their own humanity.

From She Kills Monsters
From She Kills Monsters

Rorschach Theatre is a company that has received significant acclaim for its fierce performance style, its bold use of theatrical space and its dedication to challenging works that are at once relevant and timeless. The company’s work has focused on helping to reveal the contemporary relevance of fable, finding magic in rough spaces, connecting timeless works to a contemporary audience.

Recently, YPT staff members Nicole Jost and Natalie Piegari wrote one-act plays for Rorschach’s theater event, KLECKSOGRAPHY: Haunting Monsters!

Upcoming Productions: Check back for updates on the Rorschach website!


Washington Rogues logoThe Washington Rogues  

The Washington Rogues are a daring new performing arts collective dedicated to showcasing new and exciting works with an emphasis on political and social commentary. With a strong Do-It-Yourself aesthetic, The Rogues are able to create first rate theater on a minimal budget. We pride ourselves on offering opportunities to developing artists as they begin and develop their careers in the nation’s capital.

Click here to read an article by Rogues actor and Washington Post columnist Rachel Manteuffel, about her work in the Rogues’ recent production of The Campsite Rule!

Upcoming Productions: Check back for updates on the Rogues’ website!


WWT Logo

Wild Women Theatre   

From Letters To and From Me
From Letters To and From Me

Founded in 2012, Wild Women Theatre (WWT) explores multiple dimensions of Black womanhood through storytelling, movement, poetry, and song. Wild Women Theatre was founded by some of the founding members of the performance ensemble formerly known as The Saartjie Project which presented original theatre performance from 2008 – 2012: Jade Andwele, margaux delotte-bennett, Shonda Goward, Farah Lawal Harris and Clarissa McKithen. The

company currently includes margaux, Farah and Clarissa, along with a few dedicated area performers and technical crew members.

Founding company member Farah Lawal Harris is a long-time YPT Teaching Artist and company member, who now works as our full-time Program Associate!

Upcoming productions: Check back for updates on Wild Women’s website!


YPT couldn’t be more thrilled to bring together this all-star team of theater companies that reflects the rich and diverse theater community in the nation’s capital. We are so honored that they are all stepping up in support of young artists in Washington, DC. We can’t wait to see how they bring our students’ voices to life, and we hope that you join us for this very special, one-night-only event!

For more information, please visit yptdc.org/Events/20Fest/.

See you at #20Fest!

Workshop Visitors Inspire and Get Inspired

Workshop and Chinese Theater ArtistsLast week, our Young Playwrights’ Workshop participated in their third international exchange of the year. Six Chinese theater artists visited our studio space along with two translators to learn more about theater in the US. It was fitting that the students were in the midst of writing and rehearsing an original play about meeting strangers!

Everyone introduced themselves and why they were spending that afternoon in YPT’s studio. The Chinese theater artists spoke of their dreams of visiting the US, and the enthusiasm with which they partook in every activity during their trip. Our students were, as always, well-spoken and inspiring when it came to explaining why they were there. Patricio said, “I come to YPT because I can be more creative here than anywhere else” and was met with nods of approval. “I come here to get a new perspective on life,” proclaimed Amber, and her sentiments were echoed by Kevin. I think I was as affected by their answers as our visitors were! Already people were getting a better sense of each other. Working with these students all year as the assistant in the Workshop, I see them bursting with creative energy each week, but it was touching to actually get a chance to hear from them about why they keep coming back.

Inspired by the students’ play and this real experience of meeting strangers, the students and visitors wrote monologues about a time when they met a stranger who changed them. This person could have affected their life in some momentous way, or just made them see things differently for a moment.

Workshop students and Chinese theater artists write monologuesMany of our visitors chose that very day as the inspiration for their monologues. With the help of the translators, we heard tales of their experience so far in DC. One man said being here was like a dream and he was waiting to be pinched and awakened. Another credited a specific Workshop student for drawing in the group with her warm smile and kind demeanor, saying she made them feel so welcome and comfortable despite the language barrier. The final monologue tied together the afternoon, with the Chinese visitor speaking movingly about her experience watching the Workshop students write, perform and interact. Throughout the hour and a half, she had learned so much about them, and shared so much of herself. We were strangers. We are not anymore.

See the Young Playwrights’ Workshop’s play on June 11 at GALA Hispanic Theatre!

Liza
Communications and Graphic Design Associate

Celebrating a Season of New Plays

In 2011, YPT students wrote more than 700 new plays. That’s a staggering number! And just like literary managers at theaters across the country, we’re overwhelmed with more amazing work than we could possibly put on stage.

That’s why we send actors directly into the classroom, so all of our playwrights can hear a selection from their work performed by professionals. Students consistently report that seeing the actors is their favorite part of the In-School Playwriting Program. (In fact, our students are delighted whenever the actors visit – sometimes they beg teaching artists to “bring back the actors!”)

These in-class readings are powerful events, as students are often inspired by the work of their peers. At Bell Multicultural High School, some students were moved to tears by the work of playwright Javier Reyes, whose play was featured in the 2011 New Play Festival, and playwright Cristian Miguel, whose play was read at New Writers Now! – The Fight for Family. Both young playwrights explored difficult issues, depicting a character’s struggle with addiction, and a family’s struggle with the decision to serve in the military, respectively. There was electricity in the air in Ms. Restak’s room as seasoned actors read the plays for the first time, bringing overwhelming emotion to the tragic stories.

But when it comes to selecting our season, it can be painful to let a really good play go unseen by a larger audience. Out of that big pool of 700, only 12 plays go on to the New Play Festival. Others make it into our New Writers Now! staged reading series. And some go on to be seen by audiences across the region in our Express Tour. Our 2011-2012 season already includes 22 plays, plus additional scenes, poetry and devised work. But we wondered: could we do more?

So with this year’s New Play Festival, we decided to celebrate more student playwrights than ever before. In addition to the twelve Featured Playwrights, we named fourteen Finalists. These Finalists are the students who made it to the top level of our Reading Committee (composed of YPT Company Members, staff, teaching artists and students). There’s Paola Rivera, whose play Super Ness Save the World! impressed readers with a smug, hilarious villain named Mean Cone. (Mean Cone’s first line? “I just tipped over a building with lots of innocent people in it and they all died!” And then he delivers an evil laugh!) Then there’s Evan McLean, who wowed us with his bold decision to personify the concept of war, transforming the idea into a character with fiery red hair and an aggressive attitude. And there’s Christian Bullock, who bravely told the story of a teenager struggling to escape an abusive home. These sometimes moving, sometimes funny, always inspiring plays deserve to be heard!

In the weeks leading up to the New Play Festival showcase performances at GALA Hispanic Theatre, we’ll present plays written by these Finalists in a series of Community Readings. We launched our season of new plays with readings at our Kickoff Party in January. Then in early March, we presented exceptional work by middle school Finalists in an Arlington Community Reading. We’ll visit neighborhoods across the region to make sure each of our fourteen Finalists gets a chance to see their play brought to life.

You can check out outstanding plays written by elementary school Finalists at our Capitol Hill Community Reading on Tuesday March 20 at 7pm at the Capitol Hill Arts Workshop (CHAW). The evening promises to be a fun (and family-friendly!) collection of wacky characters and comic performances. And don’t miss our Featured Playwrights on April 23 and 24 at GALA!

See you there,

Nicole
Program Manager

Love Stinks

New Writers Now! – Mad Love is coming up soon! In preparation for this Anti-Valentine’s Day celebration, the YPT staff decided to share some of our worst date stories. Which do you think is truly the worst date?

1. In high school, I went to prom with a guy I had a huge crush on, but nothing ever happened, and eventually the school year ended and I moved past that.  I found out months later that he was dating my best friend behind my back during that entire time.  Definitely do not miss high school.

2. I went on one date with a girl in college, and I thought it went pretty well. But then I didn’t hear from her for a couple weeks. I figured she wasn’t interested. My suspicions were confirmed when a friend told me she was seeing someone else. Then, out of the blue, she called me and asked to come over to my house. When she arrived, she said, “We need to talk.” She had come over to break up with me! After one date! It was incredibly awkward, and I couldn’t get her to stop until she got through her whole breakup speech.

3. When I was in high school, I had an enormous crush on this boy in my theater class.  He worked at the local movie theater, so I applied for a job there to get closer to him.  I was hired, and while I loved hanging out with him, our boss was an enormous jerk who loved to make our lives miserable (he actually smeared his hand over a window I had just cleaned once to make me do it again).  Anyway, after a few months I got up the nerve to ask the boy to see Woody Allen’s The Curse of the Jade Scorpion with me one night after work.  He said yes, and after a week of being terrified about it, the day arrived.  At the end of our shift, however, our boss decided to scream at us for half an hour, about what I can’t begin to remember.  By the time he was done, we had missed half the movie, and we were both so irritated that any hope I had for romance was gone.  I got over the crush soon after, but we did agree a couple of years later that if neither of us are married by Valentine’s Day 2017, we’ll meet on top of the Empire State Building and get married.  We signed our oath on a popcorn bag, so maybe we’ll end up together after all.

4. I once went on a blind date to some sort of holiday festival. The guy was awkward but really nice. All of a sudden, he said he wanted to check out what was going on at the other end and he’d be back. I thought it was weird, but went with it. Ten minutes later, I got a text from him saying, “I don’t know. Some girls kiss on the first date, right?” Clearly, this text message was not meant for me. He came back a few minutes later and I realized I would not be able to ignore this, as eventually he would look at his phone and see what had happened. I handed him the phone. He grabbed it with a blank smile, but as soon as he began reading the text message, his face morphed into an expression of sheer terror as he tried to figure out what was going on. “Wait, what? How did you..?” he fumbled.  “Oh… Oh.” When he understood, his face read utter defeat. In the end, I gave him a pity kiss. Unfortunately, he thought that meant we were in a relationship, which made the inevitable end to this story much more painful.

5. When I was a freshman in college, a guy I barely knew invited me to grab lunch at a local diner. Everything was going fine until he decided to propose to me (ring and all) as I was taking a bite of my grilled cheese sandwich. I thought he was kidding at first, and I started to laugh, but he immediately looked crestfallen, and I realized he was serious. He said something about love at first sight, and something else about fate and carrying around his mother’s ring “just in case.” I turned him down, but I’m pretty sure he got married before he graduated college. (If at first you don’t succeed…)

Now it’s your turn. Think you’ve really had the worst date ever? Send us your story and, if we like it, we’ll post it in the lobby at New Writers Now! – Mad Love. Audience members will vote on their favorite. To be included in the contest, email your best story of angst and betrayal to lharbison@yptdc.org by Friday, February 10.

Liza
Communications and Graphic Design Associate

What’s So Great About YPT? Ask the Students.

This Wednesday evening, a group of very special guests dropped by our YPT Board meeting. Five members of YPT’s Young Playwrights’ Workshop and new Student Advisory Council shared pizza and cookies with our Board of Directors and talked about their experience working with YPT.

They had participated in YPT programming in a variety of ways – as students in our In-School Playwriting Program and our after-school Young Playwrights’ Workshop, and as featured playwrights and performers in our New Play Festival and our New Writers Now! reading series. They were YPT experts – a true authority on our work in and out of the classroom.

Listening to these students share their thoughts – on YPT and the value of arts education, on school, on their dreams for the future – was deeply inspiring.

One student described her experience as a shy student, afraid to speak out in class. She credited YPT with helping her find her voice and share her ideas with confidence. (Listening to her speak, it was hard to believe that she had ever been a quiet student.) “I want to thank you,” she told the board. “Without you, I wouldn’t be here speaking like this today.”

Another student said that YPT is like a family. She explained that YPT’s Young Playwrights’ Workshop provides her with the opportunity to interact with students that would never be friends or even necessarily feel comfortable speaking with one another in school. At YPT, these students are equals, removed from the clique culture of the school day, and working together to create something bigger than themselves.

One Board member asked the students what they would say to a principal or administrator if he or she decided to cut YPT from their menu of in-school and after-school programming. All five students vehemently responded, “We would never let that happen.”

One of the students – the one who described herself as formerly shy – explained that YPT teaches students to learn and think creatively, and that this kind of thinking is the glue that connects and holds all the other academic and extracurricular activities together. “Without YPT,” she said, “everything else would just shatter.”

Another Board member asked the students how YPT could make their experience even better. The students threw out a number of ideas to build on existing programs – like finding ways to include YPT alumni in programming after they move on to college.  They expressed a strong desire to return to YPT after graduation to serve as mentors and advocates for their younger peers. (We think that’s a great idea.)

One of the younger students told the Board Chair that we should find a way to let kids know that writing a play with YPT is different and better than “just another writing assignment.”

“What makes it better?” the Board Chair asked.

The student shrugged. “It’s fun.”

Interested in meeting our students and joining in on the fun? Check out New Writers Now! – Mad Love, on February 13, our next free professional performance of student work (and our first-ever anti-Valentine’s Day celebration).


Brigitte
Deputy Director

YPT’s Fall Semester: Reflecting on the Journey

Around this time two years ago, I was finishing my first semester as a freelance teaching artist, and my first semester with YPT’s In-School Playwriting Program.  I had spent the fall semester with a class of eighth graders at Swanson Middle School, teaching them about character and conflict, structure and stage directions, but mostly being awed over and over by their creativity, maturity and intelligence.  One particularly wonderful play, Love Math and Martians Don’t Mix by Cassidy Boomsma, went on to be produced in the 2010 New Play Festival, and then went out on the Express Tour the following season.  As I worked with Cassidy to dramaturge her play and watched her grow as a student and a playwright, I was amazed at how far she had come.

Now, as the new year begins, I am YPT’s Program Associate, and have just completed another semester at Swanson, in addition to overseeing our other in-school programming.  This fall, we reached more students than ever before, with 24 workshops in eight schools.  898 students, led by eight fearless teaching artists, dove headfirst into the art of playwriting.  Over the past few weeks, from the hundreds of plays produced by these students, YPT has narrowed the pool down to 26 finalists to be considered for the 2012 New Play Festival.  For the first time, we were aided in this selection by our Company, which was created just this year. This diverse collection of students, directors, teacher, actors and writers will continue to assist us as we choose the final ten to twelve plays that will be performed in this year’s festival. 

While I am now a full-time employee at YPT, with much more responsibility than I had two years ago, setting foot back in the first school where I taught our curriculum brought back for me many of the core reasons why I wanted to work here in the first place.  Because of our curriculum, which challenges our students, makes them think, makes them laugh, and takes them on a twelve week journey, at the end of which they have a finished play.  Because of wonderful classroom teachers like Karen Biggs-Leeds, who keeps her classes perfectly in line, while at the same time making obvious how much she cares for them.  But, most of all, because of the young playwrights: their ideas, their silliness, their perceptions of the world, their willingness to tackle something completely new and their determination to get it just right.  The joy and pride in bringing out of them an incredible story that they had all along, but never shared, or didn’t even realize was there.

And while the process for choosing the plays to feature in the New Play Festival is different, just like two years ago I find myself eagerly waiting to see which plays will be produced, wondering what the rest of the reading committee thinks about the plays that I nominated, and looking forward to working with a young playwright during the dramaturgy process.

As we enter the spring semester, we are preparing to serve four more schools, bringing us to all eight wards of the district this school year.  Five teaching artists are preparing to help bring to life the stories of an entirely new group of students.  And while YPT has undergone changes upon changes since the first class I taught, and so have I, returning to Swanson reminded me that the creativity of our students and the quality of their work, as well as our reasons for teaching them, remains the same.

Laurie
Program Associate

A Meaningful Gift for Cyber Monday

Today is Cyber Monday – the biggest online shopping day of the year. You have probably already received dozens of emails from online retailers with exclusive, one-day-only deals.

As you work off your turkey hang-over and get a head-start on holiday shopping today, I urge you to consider making a meaningful gift that will wow your family and friends:  a gift that helps a local student fulfill her dreams.

The impact that YPT has on our community is deep and enduring. For many of our students, YPT is their first experience with an interactive, creative writing process. And YPT teaching artists are often the first adults to show these students that their dreams, ideas and beliefs are valuable and can have a powerful impact on the world around them.

Here are some truly meaningful gifts that you can purchase for our students today:

$10 buys a writing portfolio and writing supplies for one student to develop her very first play.

$25 provides a  local student with his very first playwriting workshop – showing him the value of  his dreams and ideas, and helping him engage in his education in fun way.

$50 provides a classroom of local students with their very first experience of live, professional theater – inspiring them to write and share their own stories with the world.

Click here and purchase any of these gifts today in the name of a loved one, and the gift recipient will receive a personal note of thanks from YPT, with a description of the impact of your gift. He or she will also receive a limited edition “Innovation through Arts Education” bracelet, and two, reserved front-row seats at the New Play Festival this April.

Celebrate Cyber Monday by investing in innovation, investing in our children, and buying your share of the future. Now that’s a great deal.

Thank you, as always, for your amazing support. Without you, there would be no YPT.

Brigitte Pribnow Moore
Deputy Director

I would like to thank [YPT] for their support and encouragement as I wrote my play. Working with YPT was the best experience I ever had in school. This is something I will really remember as the best thing from all my years of high school.
            -Saviya Brown, YPT Student