Introducing our 20th Anniversary Festival partners!

20Fest logo FINAL

Meet Team #20Fest!

In honor of our 20th anniversary year, YPT is launching our performance season with a very special showcase: The 20th Anniversary Festival! This celebration of young voices and DC theater will bring together ten dynamic local theater companies to remount some of the best-loved plays from throughout our twenty-year history.

On Friday, December 12, 2014, at 7pm at Theater J, YPT will join forces with nine other DC-area theater companies to bring twenty beloved student-written stories back to life onstage. From Tornado Boy to Society Unjust, these plays represent some of the funniest, most inventive and most poignant works our young playwrights have created over the years. We produced these plays when they were first written, then published them all in our first commercially available book, Write to Dream, in 2012. Now, they will be reborn in the unique styles of ten terrific Greater Washington theater companies!

We are so excited to have these talented artists put their own spin on these classic YPT plays. The 20th Anniversary Festival is going to be the event of the season, and we hope you join us to celebrate twenty years of imagination, inspiration and young talent!

Read on for descriptions of each of the participating theaters. Another post featuring the #20Fest plays and playwrights is coming soon, so stay tuned to our blog for more information!


dog & pony dcdog&pony  

dog & pony dc is an ensemble of artists who devise innovative performances that incorporate new ways for audience to experiences theatre.

Whether it’s an ultra-violent live-action version of the Punch and Judy puppet show, or an imagined civic ceremony that ignites debate about a time capsule’s contents, dog & pony dc shows playfully explore the elastic relationship between artist and audience. dog & pony dc likes to think that going to their shows is like going to a concert…a rock concert. Everyone’s energized and engaged in the moment, and sometimes the audience ends up on stage.

Interested in getting involved with dog & pony dc? They’re holding FREE audience integration workshops now through November 22!


Upcoming production:
Sing Me a Song
November 08, 2014, at 7:30pm at Capitol Hill Arts Workshop
FREESing me a Song

Willadean Wills collects songs and she has been doing it for longer than you can imagine. But she doesn’t collect them to keep them for herself, she shares them with anybody that wants to learn. In Sing Me a Song, you are invited into a world encompassing the songs of several generations and cultures. Willadean shares her love of songs and singing with the audience and encourages them to do the same, engaging them through conversation, interview, and music.

Sing Me a Song is dog & pony dc’s entry to the 2015 Women’s Voices Theatre Festival, of which YPT is also a part!


FoF logoFaction of Fools Theatre Company   

Faction of Fools is a professional, not-for-profit Commedia dell’Arte troupe based in Washington, DC, and active around the world. Winner of the 2012 Helen Hayes Award for Outstanding Emerging Theatre Company, Faction of Fools preserves and promotes this Renaissance theatre style by both respecting its heritage and exploring its future.  Through performances, actor training, international initiatives, and educational outreach, Faction of Fools embodies a Commedia dell’Arte that is theatre at its best: physical discipline, spontaneous imagination, collaborative energy, and joyous wonder.

Upcoming production:

The Great One-Man Commedia Epic
Nov 28 – Dec 20, 2014, at Capitol Hill Arts WorkshopCommedia flier
Tickets: $10-20
Created and performed by Matthew R. Wilson

One Actor. Twelve Characters. 1000 Catastrophes.

In this comic tour de force, a single actor brings to life an entire town of squabbling parents, dim-witted servants, and young lovers whose wedding plans are ruined until love prevails and comedy triumphs. Premiered in Italy and performed in London and New York City, THE GREAT ONE-MAN COMMEDIA EPIC receives its first extended run in DC at CHAW this holiday season. Fun for the whole family!

Watch the trailer and buy tickets here!


Forum logo

Forum Theatre   

Forum Theatre produces adventurous, relevant, and challenging plays from a diversity of voices that inspire discussion and build community — and that are accessible, affordable, and entertaining.

Since Forum Theatre’s inception, it has aimed to be both the home for stories that provoke discussion and the place to host that discussion. Forum wants its plays to be a conversation with the audience. Forum tells stories about who we are as a local, national, and global community.

Upcoming productions:

How We Got On
By Idris Goodwin
Directed by Paige Hernandez
Oct 30 – Nov 23, 2014, at The Silver Spring Black Box Theatre
Tickets: $35How We Got On

Set to the music of the late 80’s rap scene, How We Got On is a coming-of-age story about three suburban kids, Hank, Julian, and Luann and how they navigate tumultuous family relationships, cultural isolation, and the search for authenticity. A sultry DJ re-mixes their lives as they use music to discover and express themselves in places words fail.

How We Got On premiered at Actors Theatre of Louisville in the 2012 Humana Festival. Idris Goodwin, playwright, essayist, and spoken word artist, uses his cross-discipline talent to tell this contemporary ode to the roots of rap.

How We Got On features YPT Teaching Artist and Company member Manu Kumasi! YPT Fundraising Fellow Natalie Piegari is also interning as the assistant to Forum’s Artistic Director, Michael Dove.

Click here for tickets!

Walking logoWalking the City of Silence and Stone
By Stephen Spotswood
Directed by Jess Jung
November 2014 – Summer 2015

WORLD PREMIERE CITY-SPANNING AUDIO DRAMA

A girl shoves a notebook into your hands. Moments later, she falls from a Metro platform into the path of an oncoming train. Was it a tragic accident? Suicide? Or the latest in a series of sinister events that have their roots deep in the heart of the city? Whatever the answer, it’s the first step in a journey to discover who this girl was and what momentous secret she uncovered that led her into the path of the creature known as the King of Worms.

One part murder mystery, one part ghost story, one part intimate drama: WALKING THE CITY OF SILENCE AND STONE is a site-specific audioplay that uses the entire city as its set piece. To be released in nine parts throughout the season, this world premiere will lead the audience from one end of Washington, D.C. to the other, peeling back the familiar skin of the District to show the strange world that lies just underneath.

Episode 1 just released – CLICK HERE to listen! Recommended listening location: the DC Metro.


GALA logo  GALA Hispanic Theatre  

GALA Hispanic Theatre is the National Center for Latino Performing Arts in the nation’s capital, fostering an understanding and appreciation of Latino arts and culture by a large and diverse public.

GALA preserves and promotes Latino arts and culture and shares this rich Hispanic heritage through its theatre productions and other diverse performing arts programs. By developing, producing and presenting works that explore the breadth of Latino performing arts with its company of bilingual artists, GALA provides opportunities for the Latino artist, educates youth and engages the entire community in an exchange of ideas and perspectives.

Upcoming productions:
10th International Flamenco Festival
November 7 – 16, 2014, at GALA Hispanic Theatre

FLAMENCO(S) DE PLOMO Y COBRE
Mariana Collado & Carlos Chamorro
Nov 13-15, 8 pm  /  Nov 16, 2 pm
Tickets: $20-35

U.S. premiere, direct from Madrid! Mariana Collado and Carlos Chamorro explore the power, intimacy and immensity that are flamenco.

Click here for tickets!


FLAMENCO EN FAMILIA
Flamenco en Familia

November 15, 11 am and 1:30 pm
FREE

Free interactive demonstrations with castañets, fans, and zapateo for children and the entire family led by members of the Spanish Dance Society and other local flamenco artists.


NRlogoBlackTag-2

No Rules Theatre Company 

No Rules’ mission is to present the broadest spectrum of high quality, accessible, truthful theatre that will open the minds and expand the expectations of a diverse audience. Other than this, there are no rules.

No Rules Theatre Company found its origins at the University of North Carolina School of the Arts. In just a few short seasons NRTC has grown rapidly, thanks in no small part to its reputation for consistently strong casting, experiential designs and dynamic programming. In 2011 No Rules received the Helen Hayes Award for Best Emerging Theatre Company in recognition of the company’s talent and unique contribution to the city’s artistic landscape. Now moving into its fourth season, the company is thrilled to be in residence at the Tony Award© winning Signature Theatre Company in Arlington, VA as well as the state-of-the-art Hanesbrands Theatre in the heart of downtown Winston-Salem, NC.

 Upcoming productions:

In Love and WarcraftIn Love and Warcraft
By Madhuri Shekar
Directed by Joshua Morgan
Winner – 2014 Alliance/Kendeda National Graduate Playwriting Competition
January 7 – 25, 2015 at Signature Theatre
Tickets: $15

In this Washington, D.C. premiere, the worlds of online gaming and in person relationships collide in this up-to-the-minute comedy about straddling the real world and the virtual one. Evie Malone is a college student, a World of Warcraft master, and a virgin. She also makes a little extra cash by writing love letters for people who can’t quite manage their own real relationships. No amount of digital gaming expertise or even her virtual boyfriend can help her out when she finds herself with a handsome, non-virtual, boyfriend, who is ready to rock her worlds.

Click here for tickets!

UnlimitedUnlimited: the Music and Lyrics of Stephen Schwartz
Conceived by Matt Cowart and Joshua Morgan
Arrangements and Orchestrations by Zak Sandler
Directed by Sally Boyett
Musically Directed by Brian Lilly
February 20 – 28, 2015 at the Catholic University of America
This production is co-produced with The Catholic University of America.

From Godspell to Pippin to Wicked, award-winning lyricist and composer Stephen Schwartz has touched the hearts of audiences around the world. Come explore Unlimited, a journey of coming of age and trying to find one’s place in the world, as told through the songs of this celebrated composer.


Pinky Swear logoPinky Swear Productions  

Pinky Swear’s Mission is to produce modern plays with well-crafted, believable, engaging women’s roles where people talk to each other and things happen. Their productions are a little funny, a little dark and a lot entertaining.

Their goals are to:

  • Build a company in which local theatre artists can make a living in our community.
  • Raise the profile of women’s voices in theatre by hiring women artists and technicians whenever possible.
  • Enable artists to experiment with new avenues of expression.

Upcoming productions:

Tiny House Plays pic
From Tiny House Plays

2015 holds two brand-new plays from local playwrights. In July, Pinky Swear will be producing Stephen Spotswood‘s* new play, The Last Burlesque, wherein we meet the people behind the smoke and mirrors.

October brings a new work by Donna Rachelle, The Brewery,** for the Women’s Voices Theater Festival. Donna represents Pinky Swear’s first foray into an “Adopt a Playwright” program, in which they sponsor a promising playwright from concept through production.

Watch for other surprises in spring!

* Pinky Swear company member
**title subject to change


RT-logo-colorRorschach Theatre 

Through uncommon uses of environment and intimate passionate performances, Rorschach Theatre seeks to lure its audiences beyond the limits of ordinary theatrical experience so that they may discover new elements of their own humanity.

From She Kills Monsters
From She Kills Monsters

Rorschach Theatre is a company that has received significant acclaim for its fierce performance style, its bold use of theatrical space and its dedication to challenging works that are at once relevant and timeless. The company’s work has focused on helping to reveal the contemporary relevance of fable, finding magic in rough spaces, connecting timeless works to a contemporary audience.

Recently, YPT staff members Nicole Jost and Natalie Piegari wrote one-act plays for Rorschach’s theater event, KLECKSOGRAPHY: Haunting Monsters!

Upcoming Productions: Check back for updates on the Rorschach website!


Washington Rogues logoThe Washington Rogues  

The Washington Rogues are a daring new performing arts collective dedicated to showcasing new and exciting works with an emphasis on political and social commentary. With a strong Do-It-Yourself aesthetic, The Rogues are able to create first rate theater on a minimal budget. We pride ourselves on offering opportunities to developing artists as they begin and develop their careers in the nation’s capital.

Click here to read an article by Rogues actor and Washington Post columnist Rachel Manteuffel, about her work in the Rogues’ recent production of The Campsite Rule!

Upcoming Productions: Check back for updates on the Rogues’ website!


WWT Logo

Wild Women Theatre   

From Letters To and From Me
From Letters To and From Me

Founded in 2012, Wild Women Theatre (WWT) explores multiple dimensions of Black womanhood through storytelling, movement, poetry, and song. Wild Women Theatre was founded by some of the founding members of the performance ensemble formerly known as The Saartjie Project which presented original theatre performance from 2008 – 2012: Jade Andwele, margaux delotte-bennett, Shonda Goward, Farah Lawal Harris and Clarissa McKithen. The

company currently includes margaux, Farah and Clarissa, along with a few dedicated area performers and technical crew members.

Founding company member Farah Lawal Harris is a long-time YPT Teaching Artist and company member, who now works as our full-time Program Associate!

Upcoming productions: Check back for updates on Wild Women’s website!


YPT couldn’t be more thrilled to bring together this all-star team of theater companies that reflects the rich and diverse theater community in the nation’s capital. We are so honored that they are all stepping up in support of young artists in Washington, DC. We can’t wait to see how they bring our students’ voices to life, and we hope that you join us for this very special, one-night-only event!

For more information, please visit yptdc.org/Events/20Fest/.

See you at #20Fest!

Playwriting Competitions

IMG_7268YPT classrooms are overflowing with talent, and many students are inspired to continue writing after our residency in the classroom ends. We love that playwriting has become an important platform for our students, and we want to pass along several playwriting competitions that focus on young artists and provide an opportunity for recognition, a chance to win money, school funding and much, much more!

Whether you’ve been through YPT programming and need a refresher or just want playwriting inspiration and workshops to learn on your own, pick up a copy of YPT’s book, Write to Dream, on Amazon today. Write to Dream includes standards-based playwriting workshops from YPT’s curriculum that can help you craft your own play and also features exemplary plays from students throughout Greater Washington! 

 YPT students and alumni have already proven that they are incredible playwrights. We hope you enjoy the chance to flex your playwriting muscles again, and good luck!

The International Student Playscript Competition

Application Due: October 11, 2013

Eligibility: Playwright must be ages 16 to 25

National Young Arts Foundation

Application Due: October 14, 2013

Eligibility: Students must be ages 15-18 years old, or in grades 10-12

Playwriting portfolio instructions here

Young Playwrights Inc. National Playwriting Competition

Application Due: Postmarked by January 2, 2014

Eligibility: 18 years old or younger on January 2, 2014

Princeton University Ten-Minute Play Contest

Application Due: March 2014 (specific date to be posted in January 2014)

Eligibility: Students in eleventh grade during the 2012-2013 academic year

Young Playwrights Competition & Festival

Application Due: March 2014

Eligibility: 19 years old or younger on date of submission

The Kennedy Center: VSA Playwright Discovery Competition

Application Due: Summer 2014 (call for scripts opens November 2013)

Eligibility: Students in grades 6-12, plays dealing with disabilities

We hope that you have a great time taking another foray into the world of playwriting!  If you are an alumnus entering into a competition, please contact us to let us know so that we can cheer you on! We can’t wait to see what you come up with next.

5-Line Playwriting Tips from the Experts

It’s the last week of YPT’s 5-Line Playwriting Challenge!  Have you submitted your play yet?

We’ve already received some amazing plays from YPT’s super creative community. Check out these teasers below, including this touching play sent to us from our Young Playwrights’ Workshop alumna, Reyna Rios:reyna

I LOVE YOU

Jasmine: Hi, (shakes Martin’s his hand) my name is Jasmine Belen Martinez. People say that I am different, but I like to see that as a positive thing. I am always doing crazy things to show people how much I love and care about them.

Martin: But you don’t know me, dear Jasmine. I am just Martin Jackson, a homeless man that is invisible to everyone around me.  How do you expect me to believe that you love    someone like me?

Jasmine: Well let me show you that I do. Please say “yes?” (to be continued on December 21st!)

Or your play can be a comedy, like this one submitted by our newest board member, Catherine Crum, written with some of her friends (5-line plays can be a group effort!)

“URINE TROUBLE”: A PLAY IN ONE ACT

(two girls sit at desks.  a teacher hovers in the background.)

Girl A: (whispers) I have to pee so bad!

Girl B: Girl, you know you can’t leave during the SAT!

Teacher (slapping a ruler in his hand):  If you two continue discussing answers, you will be asked to leave, you will never go to college and you will end up playing the electric cello for pennies …

(Will she finish her SAT? Visit our YouTube channel on December 21st to find out!)

Did these great plays give you some ideas of your own? There’s still time!

Donate $25 or more before Friday and submit an original 5-line play, and you’ll get to see your play performed on YouTube.  We’re calling in the most talented artists we know – our students – to turn the tables on our supporters and bring YOUR words to life.  Plays can be funny, serious, dramatic, touching, satirical or just plain weird!  There are no wrong answers, and no idea is too crazy!  For complete challenge rules, click here.

Stuck on that first line? We know it can be hard to get started, so we went to our award-winning student ensemble for help! The Young Playwrights’ Workshop’s original plays have been featured in the Capital Fringe Festival and Intersections Festival, and will be seen in the 2013 Source Festival, so they know a thing or two about playwriting, and they agreed to share their own words of wisdom:

“Use current events! Take a piece of reality and make it fun!” – Edwin

“Never say you can’t do it. All plays start with weird ideas.” – Patriciopatricio

“Take your time. Think of a long term character, if one is used.” – Maxwell

“No matter how hard it is to think of what to write, keep it going. Don’t stop.” – Chris

Think outside the box. Think of something only your true self can write.” – Jardel

“Live your mind and express it all.” – Chrissilly

“Agarra tu papel y pon toda tu pasión y también has lo como que enserio fuera real, lo que tu estas actuando.” – Claudia

“Get silly” 🙂 – Morena

Click here now to make your donation of $25 or more to support YPT’s fall fundraising campaign, and send your 5-line play by 5pm on Friday, December 14th to abeyrle@yptdc.org.

Thank you, as always, for your support. Our students can’t wait to perform your plays!

A Meaningful Gift for Cyber Monday

Today is Cyber Monday – the biggest online shopping day of the year. You have probably already received dozens of emails from online retailers with exclusive, one-day-only deals.

As you work off your turkey hang-over and get a head-start on holiday shopping today, I urge you to consider making a meaningful gift that will wow your family and friends:  a gift that helps a local student fulfill her dreams.

The impact that YPT has on our community is deep and enduring. For many of our students, YPT is their first experience with an interactive, creative writing process. And YPT teaching artists are often the first adults to show these students that their dreams, ideas and beliefs are valuable and can have a powerful impact on the world around them.

Here are some truly meaningful gifts that you can purchase for our students today:

$10 buys a writing portfolio and writing supplies for one student to develop her very first play.

$25 provides a  local student with his very first playwriting workshop – showing him the value of  his dreams and ideas, and helping him engage in his education in fun way.

$50 provides a classroom of local students with their very first experience of live, professional theater – inspiring them to write and share their own stories with the world.

Click here and purchase any of these gifts today in the name of a loved one, and the gift recipient will receive a personal note of thanks from YPT, with a description of the impact of your gift. He or she will also receive a limited edition “Innovation through Arts Education” bracelet, and two, reserved front-row seats at the New Play Festival this April.

Celebrate Cyber Monday by investing in innovation, investing in our children, and buying your share of the future. Now that’s a great deal.

Thank you, as always, for your amazing support. Without you, there would be no YPT.

Brigitte Pribnow Moore
Deputy Director

I would like to thank [YPT] for their support and encouragement as I wrote my play. Working with YPT was the best experience I ever had in school. This is something I will really remember as the best thing from all my years of high school.
            -Saviya Brown, YPT Student

Interview with Katherine Latterner

Theater Educates interviews a different arts educator each month, to get his or her take on our field. This month we talk to Katherine Latterner of Fillmore Arts Center.

What is your current position?

Katherine: I am currently Principal of the Fillmore Arts Center, a District of Columbia Public School.  Fillmore provides the arts education to 12 DCPS elementary schools and serves 2,600 students at two sites.  Artist teachers provide visual arts, music (including strings and band), dance and drama instruction.

How did you become an arts educator?

Katherine: I began studying piano and voice at an early age and began my college career as a music performance major.  I realized that I would not become a concert pianist and switched my major to English.  After college I worked at a non-profit but continued my involvement in music.  When my children were very young, I discovered they had minimal music instruction in school and I began volunteering as a music teacher.  I studied Orff and Kodaly and became a music teacher at Fillmore where I taught music (and creative writing for 14 years).  I obtained a masters in educational leadership and became the Director of Education for the Musical Theater Center, returning to Fillmore as the principal five years ago.

Did you have any mentors in the field? If so, how did they influence you?

Katherine: My family was always involved in music (mother and grandmothers).  My first real mentor was my piano and voice teacher, Lewis Grubb.  We lived in a small town in Delaware, but he had performed in Philadelphia and New York and exposed me to a wealth of literature and experiences (singing with adult groups in Wilmington and Philadelphia).

There is a lot of debate among educators, administrators and policymakers about arts integration vs. art for arts sake. What is your opinion of this debate? Do you favor one side over the other?

Katherine: I think it makes perfect sense to make connections between the arts and other disciplines.  Using the arts to teach numeracy, literacy, social and physical sciences allows children with varying learning styles to more easily access this information and to use both right and left brain modalities.  However, the push has been to have arts education focus in Arts Integration to the exclusion of the arts as important disciplines.  I am a strong proponent of having a high quality arts education for arts sake.

What advice do you give young people who want to make a career in the arts?

Katherine: Pursuing the arts as a career may not be the most financially rewarding choice (except for a very few people), but it is certainly a personally rewarding choice.  If you have a passion for the arts,  you should pursue it.  Examine the multiple ways you can work in the arts (performer, teacher, production, etc.) .

What advice do you give early-career arts educators?

Katherine: Do not neglect the impact of technology on the students of today.  Explore ways you can incorporate technology and please keep your activities interesting and “fun” for your young students.  You job is to foster a love of the arts in your students so they can not only be participants, but also arts audience members and supporters.

Every educator has a different definition of success. Can you tell us about a time when you felt successful as an arts educator?

Katherine: I have had students go on to great commercial success, but it is the everyday successes (the shy child who performs a dance or sings a solo on stage, the class cut-up who really shines as the “king” in the drama performance, the beautiful ceramic bowl made by a child who said he was “no good” in art) that make me feel most successful as an arts educator.