It’s such an exciting time of year. Last week YPT successfully trained our entire team of teaching artists to execute the In-School Playwriting Program. It was a somewhat daunting task. We’ve been dreaming all summer about how to make YPT better, how to create a richer experience for students, and how to make everything run more smoothly. All of a sudden it was the end of August (how did THAT happen?) – time to pull my head out of the clouds and get down to business.
Fortunately, (and I think this is a proven scientific fact) YPT has the best teaching artists in the entire world. They made training so easy, it was actually kind of confusing. I thought I might hear run of the mill questions like, “When are the first drafts due again?” Instead, we spent our time discussing strategies for serving students with special needs and testing the fun factor of YPT’s educational games. Seasoned teaching artists were generous enough to share their knowledge with those who will be teaching with YPT for the first time.
One such YPT veteran, Danielle Drakes, has experience teaching our After-School Playwriting Program and has also served as an actor for the In-School Playwriting Program. She spoke in particular about her experience with high school workshop six – The Language Workshop. The Language Workshop focuses on how a playwright uses word choice and grammar to affect an actor’s delivery. In one exercise, students are given a basic character (like “an old woman from the country trying to get some lazy kids off of her lawn”) and asked to write a couple lines that demonstrate how they imagine that person would speak. The actor’s role is to perform these lines exactly as the students write them.
Danielle said that it was her experience as an actor in The Language Workshop that made her want to teach the In-School program. She spoke about how powerful it was for students to find out that using language isn’t always about “right” and “wrong.” When you’re capturing a character’s voice, it’s OK to spell creatively and use unconventional grammar. Danielle told us about a student at Ferebee-Hope Elementary School who used the word “gunneh” in a play. She was able to have a sophisticated conversation with all her students: what’s the difference between “gunneh,” “gonna” and “going to”? Each choice communicates something specific about a character, and none of those choices are wrong!
YPT’s teaching artists are so intelligent, so creative, and so committed to students that it will blow your mind. We’re sending six of them to seven schools this fall. With help from Laurie Ascoli (our Program Assistant), Patrick Torres (our Associate Artistic Director), and me, YPT will reach twenty-one classes and serve about 450 students.
Did I mention that’s only the fall?
Welcome back everyone! Game on.